Ident. | Authors (with country if any) | Title |
---|
000018 |
Sara C. Sereno [Royaume-Uni] ; Graham G. Scott [Royaume-Uni] ; Bo Yao [Royaume-Uni] ; Elske J. Thaden [Royaume-Uni] ; Patrick J. O'Donnell [Royaume-Uni] | Emotion word processing: does mood make a difference? |
000034 |
Sappho Xenakis [France] ; Leonidas K. Cheliotis [Royaume-Uni] | Spaces of Contestation : Challenges, Actors and Expertise in the Management of Urban Security in Greece |
000037 |
Katie De La Matter [Royaume-Uni] | Ancient Drama in Music for the Modern Stage |
000067 |
Sappho Xenakis [France] ; L. K. Cheliotis [Royaume-Uni] | The Politics of Crime and the Financial Crisis in Greece |
000075 |
Peter J. Barnes [Royaume-Uni] | Pathophysiology of allergic inflammation |
000097 |
Ben Winters [Royaume-Uni] | Filmmusik: Beiträge zu ihrer Theorie und Vermittlung. Ed. by Victoria Piel, Knut Holtsträter, and Oliver Huck. |
000107 |
Raphael C.-W. Phan [Royaume-Uni] ; Patrick Mingard [Suisse] | Analyzing the Secure Simple Pairing in Bluetooth v4.0 |
000150 |
Abraham L. Halpern [États-Unis] ; John H. Halpern [États-Unis] ; Sean B. Doherty [Royaume-Uni] | "Enhanced" interrogation of detainees: do psychologists and psychiatrists participate? |
000151 |
Jeremy Barham [Royaume-Uni] | Scoring Incredible Futures: Science-Fiction Screen Music, and “Postmodernism” as Romantic Epiphany |
000152 |
Robert Adlington [Royaume-Uni] | Music of the Twentieth Century: A Study of its Elements and Structure. By Ton de Leeuw. |
000162 |
Nick Prior [Royaume-Uni] | Putting a Glitch in the Field: Bourdieu, Actor Network Theory and Contemporary Music |
000175 |
Andy Hamilton [Royaume-Uni] | Music and the Aural Arts |
000186 |
Bridget Fowler [Royaume-Uni] ; Esperança Bielsa | The lives we choose to remember: a quantitative analysis of newspaper obituaries |
000197 |
Arnold Whittall [Royaume-Uni] | Other Planets. The Music of Karlhenz Stockhausen, by Robin Maconie. The Scarecrow Press, Inc, £24.99. |
000207 |
William Whyte [Royaume-Uni] | HOW DO BUILDINGS MEAN? SOME ISSUES OF INTERPRETATION IN THE HISTORY OF ARCHITECTURE |
000263 |
Arnold Whittall [Royaume-Uni] | Review: Modernism and Music: An Anthology of Sources |
000301 |
Arnold Whittall [Royaume-Uni] | Olga Neuwirth's ‘Bählamms Fest’ |
000320 |
Arnold Whittall [Royaume-Uni] | Lachenmann |
000322 |
Arnold Whittall [Royaume-Uni] | Judith Weir |
000326 |
Arnold Whittall [Royaume-Uni] | Isang Yun |
000347 |
Arnold Whittall [Royaume-Uni] | Review: Cinquante ans de modernité musicale: de Darmstadt à l'IRCAM. Contribution historiographique à une musicologie critique |
000374 |
Ben Earle [Royaume-Uni] | Taste, Power, and Trying to Understand Op. 36: British Attempts to Popularize Schoenberg |
000379 |
Arnold Whittall [Royaume-Uni] | Review: Music, Tendencies, and Inhibitions: Reflections on a Theory of Leonard Meyer |
000397 |
Adam Ockelford [Royaume-Uni] | The Magical Number Two, Plus or Minus One: Some Limits on our Capacity for Processing Musical Information |
000399 |
Arnold Whittall [Royaume-Uni] | Review: Neuf essais sur la musique |
000454 |
Arnold Whittall [Royaume-Uni] | THE MECHANISMS OF LAMENT: HARRISON BIRTWISTLE'S ‘PULSE SHADOWS’ |
000555 |
John H. Frazer [Royaume-Uni] | The architectural relevance of cybernetics |
000610 |
Arnold Whittall [Royaume-Uni] | REVIEWS OF MUSIC |
000659 |
James Owen Drife [Royaume-Uni] | Breast Development in Puberty |
000679 |
Jack Dobbs [Royaume-Uni] | Music for a Small Planet at Dartington College of Arts |
000778 |
Arnold Whittall [Royaume-Uni] | REVIEWS OF BOOKS |
000845 |
A. M. Andrew [Royaume-Uni] | Book Review |
000882 |
Jack Westrup [Royaume-Uni] ; Tim Souster | Letters to the Editor |
000896 |
Jack Westrup [Royaume-Uni] | ORCHESTRA |
000898 |
Jack Westrup [Royaume-Uni] | CHORAL MUSIC |
000916 |
Jack Westrup [Royaume-Uni] | REVIEWS OF BOOKS |